Whether you are a photographer, creative or lover of life todays post is about joy.
One of my favourite things to do in life is to get on a plane to Greece because no matter how busy my year has been I know in my heart that I will put back what has been taken out of my creative well this year when I touch down on Greek soil.
For me the magic starts at the Athens airport and Greek folk if you are reading this I am sure you will know what I mean.
The nervous system seems to know its home!
It rolls over, it purrs, it knows it’s going to lie on a beach and become so hypnotized with good food, soft breezes, gentle joy and Kefi it kicks in immediately.
Kefi, like so many words in different languages never translates as the Greeks know it. It’s about joy, passion, living in the moment, togetherness, music and dance and more.
The above photos were taking of my husband on the last day of one of many of our Greek holidays.
I wanted a photo and had tried to make it happen the day before which ended in a rare fight. I found this amazing motorbike and the guy wouldn’t rent it to us. We drove out to this beautiful simple place on a ugly alternative and then hubs dug his heels in and refused. My sweet Italian wasn’t feeling it. We were leaving the island in a couple of days and I knew this window was closing but my philosophy has NEVER TO DO ANYTHING FOR Afor a photo so I let it go.
Then later the next day he said ‘come on let’s go take some photos’. We rented the not so attractive bike, headed out to the beautiful spot and I started taking pics of him riding. Then he jumped off the bike and started humming the music to the sirtaki and just like that, on a dirt road, as the sun was setting with him and I dancing and humming we found our Kefi.
Sometimes I think Kefi is the secret to happiness!
There is a wonderful interview here unfortunately only in French or Greek that describes Kefi
Or you can catch a little bit of it here in this scene with Anthony Quinn in Zorba the Greek. I adore those words you would love any man to utter to another ‘will you teach me to dance’?
Here’s how I take Kefi home into my daily life:
Live in the moment – I try and stop living for tomorrow and live in the moment if whatever I am doing is enjoyable and not rush off to the next thing. Just sit, kick back and enjoy. Tomorrow will come but right here and now is amazing.
Relax – I find I get more done and am more creative when I take time out, have weekends and days away from the computer and meditate or relax during the day. Yes, when the sun is shining I take a long lunch break and even lie down during my work day and don’t feel slightly guilty about it because I know when I get up everything will be clearer.
Music – I make music a part of my life, it changes my mood takes me from lethargic to excited, feeling down to happy and helps me bring what I desire into my life. Yes folks I manifest to music!!
Dance – Even if it’s only for my husband I try and dance every day! Dance is the thing that connects us to joy and the forgotten wild women inside.
Share – There are so many ways to share our lives with others. Make a habit of sharing a meal with someone, share a ride home, an after walk or something that works for you. Actively share.
Let Go – If there is one thing that is tough to master it is letting go. Letting go of all the millions of things we think we should do and surrendering to them or delegating them to someone else. Once a day I let go of something. I allow things to be imperfect even if it’s a small thing and I am the only person that knows it,I just kiss goodbye to perfection and mentally let go.
So dearest folks, I hope you have enjoyed this little reflection on joy and life and hope you try and bring a little Kefi to your daily routine.
I feel like I have been in a flurry of self promotion lately and looks like its continuing (whoops)!
I love the folks at Interiors Addict and all the good they do in the world helping folks make their homes beautiful. There is inspiration for making your nest special is endless.
They recently did an interview with me about my two series, La Vacanza Italiana and Jeune Fille En Fleurand its fabulous (eek).
To celebrate them spreading my print joy I am giving a 20% discount on all prints with code print love
The full story on Interiors Addict is HERE and you can start decorating in my shop HERE
One of the questions I am asked often is ‘how do I find my style as a photographer’?
So let’s look first at what is a style or vision?
Photography is a personal vision. It is an individual way of looking at the world and capturing a photo that tells a story.
No two photographers see the same subject in the same way. Your particular taste and vision will set you apart from other photographers and this is your precious gift. A photographer’s vision can be seen repeated in their photos over and over again, like a brand.
The great Magnum photographer Elliott Erwitt’s trademark black and white images of dogs, street photography and portraits are infused with humour, wit and romance. Steve McCurry another Magnum star almost works exclusively in vibrant colour with a more serious tone and if you look closely at his portraits they are always simple and engaging.
Robert Doisneau exclusively used black and white and his images of Paris are romantic, sweet and always with a dash of innocence. You can almost feel the kindness of this man in his images.
The great Elliott Erwitt also has this to say about his style and his choice of subject matter. Erwitt mentions in interviews that ‘his colleagues in Magnum are generally seen as more “serious” photographers– who photograph more “serious” events.’
However Erwitt tries to not take himself too seriously: “Well, I’m not a serious photographer like most of my colleagues. That is to say,I’m serious about not being serious.”
One thing that all these photographers have in common is that you can easily recognize their work without seeing their ‘byline’ (byline is a photographer’s or a journalist’s name printed alongside their story in a magazine). Their work is their byline.
They all have their own vision, their own style of lighting, emotions they wish to portray, their own presentation of their photos, mood of their work, personality and their own special way that they communicate through their images
When I arrived in Florence in the year 2000, I didn’t have access to a huge group of friends or contacts but I did have Popi (my gorgeous landlady) and her friends. I started there, I asked to photograph them, the kids I shared the house with and the people on the streets of Florence and slowly the people I would interact with each day.
I started messing around, taking photos that I thought I wanted to take from portraits to fashion inspired photos. I followed my heart and this is where it led me. I now realise the values I held dear and subjects that were in my subconscious at the time came through.
LOVE AND EMOTIONS
Love and lack of it in the previous years had been a big theme for me and when I arrived in Italy it seemed like I was surrounded by it. Photography has always been about the emotions for me. Capturing all those outwardly expressed emotions in Italy came naturally. I couldn’t believe the amount of public displays of affection and I think it was also a reflection of the highly emotional state I felt after leaving my life in Sydney to find something I loved – photography.
A lot of what we shoot as photographers is about how WE FEEL.
MOVEMENT
I had been trapped in an office for the best part of my adult life and movement felt like the opposite to me, it represented life, action and adventure. I was obsessed with movement of all kinds including families on vespas, people of all ages riding bikes in Florence or driving strange little vehicles in the Italian countryside. Movement has become part of my style as I am always attracted to it no matter whether it is vespas, cars or people. I love blur and the emotions that come with movement in a photo.
My obsession with religious iconography had to do with my lack of religious grounding in Australia and arriving to the overload and beauty of religious iconography in Italy. I was a magnet to a Madonna! I was obsessed with every tabernacle on a street corner, statues of Madonna’s in churches and religious art and just kept shooting them. I never asked why or what I would do with them but I think it comes back to my instinct.
I was attracted to the emotion they portrayed and just went with it.
ELEGANCE
I have always loved fashion and had long been a lover of fashion magazines and beautiful clothes. This love flowed over into photography even though I was shooting travel and life photos in the beginning it was often reflected.
I loved the innate elegance of Italians and would stop well-dressed people in the street and ask if I could take a photo. If I had the choice I would seek out someone dressed at the market in a certain way or with the right apron and boots. Clothes have always been a big deal for me and they are still are a big part of how I love to shoot. They really help make an image stronger.
Confession: I have ‘tweaked’ or created photos from the beginning, dressing friends and even Francesco on holidays to go out and take a photo that I wanted or felt would express something.
I love things that make me laugh in life and even more when I can capture it in a photo. I think this comes back to who we are as photographers, often what we shoot is how WE FEEL OR THINK. IT IS OFTEN ABOUT US.
BLACK AND WHITE
I shot and printed almost exclusively in black and white in the early years and as I didn’t have an end use at the time for my images, I did what pleased me. Black and white became a huge part of my style and in the early years I loved shooting at night and would always end up with half a roll of film in my camera the day afterwards and go out and shoot in daylight – hence I always had a lot of grain in my images – all by accident.
SUBJECTS
There is a certain romance, nostalgia and love of all things old and falling apart in my style (except for people). You will probably notice in most of my travel images there is rarely a modern building or a clean hard edged interior, you are more likely to find a building or street with an ancient story or full of life, walls with peeling paint and faded colours. This was and is a reflection of my love for Europe and its stories and layers.. just like life.
Don’t be in hurry to develop your ‘style’. It will come naturally if you take the photos that you love and from the heart. Try not to be too influenced by everyone around you.
Ask yourself what are your values, what is important to you?
Keep shooting the photos you want to take and listen to your inner voice. Don’t ask why
Ask yourself what is it you want to say in your images?
With time your style will come without you even realising it. You may find using a particular camera, a particular lighting setup, a post production process, a lens, injecting energy and emotions or using a certain depth of field may create an effect you like and your natural style will develop.
The post production choices that you make to present your photos is also a big contributor to your style, whether you choose to use high contrast black and white, punchy colour, faded vintage colours or low contrast sepia images all becomes part of your photographic look.
Music portrait photographer Anton Corbijn found his style by accident. He decided against using a flash or a tripod when shooting his portraits — he claims that he’s never been good with the technical stuff — and because of that he developed an instantly recognizable style using high speed grainy film early on.
“Your handicap is your strongest asset,” he explains. “I made it work for myself, and then somehow that becomes how you take pictures, which is different to a lot of people. I mean, you always strive for the perfect thing, but then life gets in the way. A lot of my better pictures have slight imperfections… I look back at the old pictures, and I made so many mistakes.”
I hope this helps you on your path to finding your style and personal vision.
“But I tell you, for me, each photographer brings his own light from when he was a kid, in this fraction of a second when you freeze reality, you also freeze all this background. You materialize who you are.” Sebastiao Salgado
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