Inspiring Lives – Claire Lloyd My Greek Island Home

This summer I was lucky to meet the gorgeous Claire Lloyd (above) and her partner Matthew in Sydney. Over dinner with mutual friends on a little balcony overlooking Tamarama I tortured poor Claire about living on a Greek Island.

You see I have been in love with her life for years now ever since my publisher told me about a book she commissioned years earlier and I joked ‘that was the book I wanted to write and the life I want to live’!

Well gorgeous Claire did it and so beautifully and since I opened my copy of My Greek Island Home I haven’t stop dreaming of blue seas, fresh air and white painted floors.

Not only did she write My Greek Island Home but she photographed it too.

Who doesn’t dream of living on a Greek Island?

I certainly do in the midst of a cold winter, yearning for sunshine, the sea and a little garden. Claire has been kind enough to share her thoughts on her life, creativity, cats and living on a Greek Island and some of her favourite addresses on Lesvos.

What inspired you to move to Lesvos?

I definitely had a deep need somewhere inside me for a simpler life and a need to reconnect with my creativity. For many years I had been living a very full and hectic life in London, Art Directing and designing for brands, magazines and advertising agencies and I felt tired. It was a trip to my homeopath, Vicki, in London that encouraged me to change my direction. On that particular day I said to her I had lost my personal creativity and felt disconnected. Vicki held up her mobile phone with a photograph on it of, a basic stone house, in the middle of a field with a walnut tree. The house stood alone, solidly, under piercing blue skies. This visual image made an immediate impact on me. Vicki said, “perhaps this is your remedy, I have just bought a house in Lesvos, maybe you should go there and take a look.??? I am impulsive, and so was there within a week.

How has your move enhanced your lifestyle? 

My lifestyle is much gentler and I have regained my personal creativity, I also have more time to observe and enjoy my surroundings.

I have many amusing anecdotes from my daily life to share.

What do you have more of living on an Island than living in a big city?

Cats and dogs………..I’ve never had a dog before and now we have as little as 2 or as many as 4 at one time. We try to re home strays. We always have lots of kitties to feed too.

You see more stars because there is little streetlight, in the village, and the skies are vast.

Being on an island the Aegean sea surrounds you and is nearly always in your sight.

We have more seasonal fruit and vegetables and, more time to speak to people and reflect on life.

How has photography allowed you to communicate with the locals? 

Photography has opened up communications big time. The Greeks are very social and generous people and they have welcomed my partner Matthew and I with open arms and with great warmth.

My camera has added another layer, it has given me more confidence to approach people and it has also given me something I can give back in my appreciation. Most people love getting an image of themselves and it’s also a lovely documentation of a village life. Last summer I hung up 250, A5 images that I printed out at home, on a bamboo fence outside one of the village café neas, the people loved it and they could take their photo away at the end of the evening.

It was Matthew who encouraged me to start taking photographs by buying me my first Cannon camera. It was a gift; a gift I never imagined would change my life so much.

What influences your style and how have you adapted this to creating your Greek Island home?

Light, simplicity and space influence me as well as an enormous amount of bright white paint.

These have always been my staples.

I had no difficultly adapting any of these elements to ‘My Greek Island Home’ as they are all part and parcel of Greece.

Style Icon? 

Georgia O’Keeffe, she was an original. Pure style in everything she did, her paintings, her living spaces and the way she dressed and looked. I admire her art, love of nature and her focus.

How do you feel waking up on a Greek Island every day? (Sounds amazing when you live in a big city)

I feel privileged, and really happy to be alive. 

What would you say to your friends thinking of swapping their lives in a big city for an island? Should we do it?

I am a great believer in change and I think any change is positive. I also believe people have dreams and life is short. So I think whatever your dream you owe it to yourself to explore it. I understand it’s easier for some of us to make changes and that circumstances can make it difficult. But I also believe any change small or large is worthwhile giving a go. So I’d say ‘go for it’.

Has Island life been good for your creativity?

Yes it has been amazing. It has given me so much. I feel I have just scratched the surface of my creativity and here I have found a place where it can evolve and develop. It’s great not knowing where it will take me.

Is there something you miss about your former life? 

I loved my former life and still get to dip in and out of both Sydney and London. I am lucky because I can visit the cinemas, my favorite restaurants and galleries when I’m there. I also love catching up with friends.

I miss my creative friends but they come and visit and there is the telephone and skype.

And it makes it even more special when I do get spend time with them.

Tell us 3 cool things about Lesvos that we don’t know?

Lesvos is the 3rd largest Greek Island and extremely close to Turkey, at one point there is only 5 kilometers of sea separating them.

The topography changes dramatically from one side of the island to the other. You can travel through deep green pine forests or be in the middle of a vast, arid, volcanic, and lunar like landscape.

This week we were told, by, the President of The Chamber of Commerce that Lesvos has been given a UNESCO listing.

I love that you look after all the local animals, how did this happen? 

I think we must have an invisible sign on the front gate that only animals can see. They all seem to know where to come instinctively. It started with Sweetie my special girl.

I was eating outside at a local taverna and this tiny kitten, way too young to be eating scraps appeared. She was begging. When she saw me she immediately, and with no encouragement, jumped on my knee and refused to get down. She was so pathetic looking and her eyes were gummy. It was suggested by the locals to take her home, so after my meal we headed off up the hill to the top of the village. She buried her head in the crookof my arm and shook. She must have known instinctively she was doing the right thing. Now she is big and has a gloriously, luxurious fur coat, better than any you would find in Fendi. Sweetie rules and yes, we love her big time.

What’s on the menu today?

Fish baked in the oven with lemon and a simple green salad, all bought from vans that pass through the village daily, selling fresh produce. In the summer I grow a small amount of salad in pots outside my kitchen door.

What has your reward been for your courage to switch lives so dramatically? 

My rewards have been many, warm friendships, serenity, creativity, unconditional love from animals, incredible beauty in the landscape that surrounds me and of course the opportunity to photograph, write and design my latest book “My Greek Island Home???. I am no doubt a very lucky girl! (woman) I have also been extremely lucky having Matthew to share it with.

The Local’s Hotlist 

Café

Travel north to Sikaminias. There is a small harbor port Skala Sikaminias, which has some great little restaurants. You can watch the local fishing boats arrive with their daily catch. Above the port is the main village, Sikaminias and in its small square there are a couple of café’s that are really worth sitting in and soaking up the local life. It’s a beautiful village so take a wander.

Eat

Fish cooked by Yiannis at Cavo Di Oro in Sigri.

Yiannis loves the Beatle’s and if you are lucky enough he will play you some of his favorite tracks.

Swim 

Find a way to the beach from the dirt coast road between Sigri and Eressos. The water is crystal clear and there is no one to be seen.

Taverna / restaurant

The Octapus in Molyvos  is right on the waters edge at the harbor, and you can see Molyvos Castle crowning the top of the town in the background.

Stay

Birds Bay This is a very quiet and beautiful spot, a place to forget the world and be at one with nature. It has superb sea views and a fabulous view of Molyvos at night, sparkling in the distance.

Shop

Shop at the Women’s co-op on the main road into Molyvos.

They make traditional and delicious home made preserves and biscuits.

My favorite thing, without a doubt, are the chocolate tarts. A tip, you must order them

Sunset drink

My terrace!!!!!!! 

Indulge in..

Just being there.

Don’t leave without

Visiting the monastery at Ipsilos. There are still monks living there, although you will only see one who sits in the little museum. It’s a fascinating little museum, with all sorts of religious items. The views from the monastery are superb.

All Photos Copyright Claire Lloyd

A huge thanks to the lovely Claire Lloyd for sharing a little of her inspiring life and for those of you who can’t get to a Greek Island soon I suggest you buy My Greek Island Home ,a beautiful book of  dreams and this is for anyone who has ever dreamt of changing their life and doing what they love.

You may also enjoy a look inside the Guesthouse created by Claire and partner Matthew’s beautiful artist studio in the heart of town. For more Greek island Inspiration go to this page.

“Just don’t give up trying to do what you really want to do. Where there is love and inspiration, I don’t think you can go wrong.??? Ella Fitzgerald

signature

What I learnt Shooting These Photos At The Moulin Rouge

Carla Coulson moulin Rouge

Looking back through my archives of photos is like time travelling and these shots taking at the Moulin Rouge take me back to the beginning of my arrival in Paris. How very lucky I was to work with the fabulous dancers the Moulin Rouge and Le Lido de Paris, they taught me so much.

I remember when I finally had the go-ahead to shoot the girls on stage and it was up to me to decide what to shoot, how to shoot them and what mood to create I had to think about it a lot long before starting.

Moulin Rouge Paris Carla Coulson

One of the greatest difficulties for us photographers is where to start especially when we have a smorgasboard of options, incredible costumes, beautiful girls and locations.

Carla Coulson Moulin Rouge Paris

Here’s What I learnt shooting these pics:

1. Research some ideas and choose a theme that you would like to start with.

2. I wanted to create a portrait series of the dancers. I had seen lots of pics live on stage image so I wanted to take them out of that environment and create a timeless feeling.

Moulin Rouge Carla Coulson paris

3. I wanted something moody so the light selection was really important. I chose to use just one main light on the girls and surround them in darkness.

4. My pictures previously had been full of energy, movement and life and I decided to challenge myself and photograph ‘silence’! I asked the girls to always have their eyes down and not to look at me as though they were in a dream.

Carla Coulson moulin Rouge Paris

5. I wanted the slightest blur to give the feeling of a dream. Working on a shutter speed of 1/60th second I asked the girls to take the smallest steps forward and backward and this is how we created the blur.

6. Dancers are brilliant to photograph as they are aware of every movement their body makes and they are always striving for elegance and poise. But I didn’t want photos that were stiff so we worked together to use their form to create interesting portrait shapes and then relaxed the poses so they looked natural.

Carla Coulson moulin rouge paris

7. Having wonderful costumes is a dream, the same as adding fashion to a portrait shoot. The shoot takes on an entirely different feel and this is something I always incorporate into my portraits.

8. I gave the girls roles to play, asked them to think of a certain situation or moments to transport them and their mood and voila I took the pic.

You too can apply some of the above examples next time you shoot. Ask yourself what you want to achieve, what mood, feel and research before you start taking pics.

I will be teaching the way I work and how to create emotion in your photos and incorporate fashion into your portraits this summer in Paris at the Picture This Workshop !! I’d love you to join me.. For the full story check here.

I would love to hear if you thought this helpful..

 “I have looked in the mirror every morning and asked myself: ‘If today were the last day of my life, would I want to do what I am about to do today?’ And whenever the answer has been ‘No’ for too many days in a row, I know I need to change something.??? Steve jobs

signature

 

 

PS: If you know a photographer who might like to learn more about combining fashion and portraiture please feel free to share..x

Check out my Portrait Lightroom Presets here.

The Decisive Moment – Taking Better Photos

Image Copyright Carla Coulson Italian Joy

I know so many of you gorgeous folk who tune into my blog on a regular basis would love to take better photos or maybe become a photographer.

Well, you all know I love photography so I will do anything I can to help you take better pics and another step on your path to becoming a photographer.

Today I would like to talk about something close to my heart and it is the phrase coined by Henri Cartier-Bresson, ‘The Decisive Moment’.

Cartier-Bresson has always been one of the big Kahuna’s on my photography list of heros and he truly was a renaissance man. He took amazing photos, painted and some of his words are the most poetic and to the point that I have ever read (certainly on photography).

Photo Copyright Carla Coulson Italian Joy

As Cartier-Bresson said “There is nothing in this world that does not have a decisive moment” and for us photographers making that decision when is the decisive moment, when all the photography planets align and we hit the shutter, is nail-biting stuff.

Cartier-Bresson went on to say “To take photographs means to recognize – simultaneously and within a fraction of a second – both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one’s head, one’s eye and one’s heart on the same axis”.

Photo Copyright Carla Coulson Italian Joy

I cut my teeth on street photography and working with film was one of the greatest lessons I had in learning my decisive moment.

Often I felt like I was a tiger laying in wait, my heart in my throat, my body coiled, my breath taken from my body, waiting for that perfect hundredth of a second when the little boy jumping off the rocks was in the right position or the lady walking past a funny poster was in the right spot at exactly the right moment and bingo I squeezed the shutter.

Photo Copyright Carla Coulson Italian Joy

“Photography is not like painting,” Cartier-Bresson told the Washington Post in 1957. “There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative,” he said. “Oops! The Moment! Once you miss it, it is gone forever.”

Digital photography is fabulous, convenient and instant but to take great photos you need to still pick that decisive moment and know in your gut without looking at your LCD screen that you ‘have it’.

Here’s some tips on how to practice getting the decisive moment:

1. Tape the LCD Screen on the back of your camera (many great shots have been lost because photographers are obsessed with looking at the LCD screens).

2. Take your camera off continuous and shoot on single shot (this way you just get one go at it).

3. Take a half-a-day and go out to take photos with the express idea of catching the decisive moment. If you come home with just one great shot pat yourself on your back.

4. Feel the photo, feel the moment, trust your gut instinct and hit the shutter when you know it is right. Don’t check the screen, leave the tape on and when you have finished at the end of the day see if your gut instinct about which shots you thought you captured was right.

5. Get in the habit of really looking through the view finder and wait, wait, wait.  This is the greatest life lesson I have learnt as a photographer that a lot of getting the right shot is waiting for it to happen. In the case of the lady in the 2nd shot in front of the ‘maid in Italy’ poster,  I hung around that poster for almost 20 minutes waiting until the ‘right’ person came along. I waited till she walked between the girls arms and I just got lucky that she was speaking with her hands.

6. Be part of life. In all the above shots I was out amongst life and sharing the joy of others. I was treading water for 15 minutes before the little boy jumped off the rocks with his arms out in the 1st shot and I was treading water when I squeezed the shutter as he jumped. I knew in that moment I had got the shot long before I saw the film.

Oh and always have fun!

My Favourite Gear

Canon EOS 5D Mark III

Canon EF 24-70mm

Canon EF 35mm

“As far as I am concerned, taking photographs is a means of understanding which cannot be separated from other means of visual expression. It is a way of shouting, of freeing oneself, not of proving or asserting one’s own originality. It is a way of life.”  Henri Cartier-Bresson

signature

 

 

 

If you want to learn how to take/create your body of work and sell it online, join my Free Training by clicking here.

Where Do You Come From?

 

My mother with her grandfather on the verandah of the family house in Tempe

Where do you come from?

Is this a question you ever ask yourself?

I often do. As my Australian visit comes to a close and my family and I spend more and more time looking at old photos and recent ones I often wished I could have a day with some of my grandparents, great-grandparents, great aunts and uncles to hear about their adventures, dreams, difficulties and life’s lessons.

The above photo is where I come from. That is my great-great grandfather on the verandah of his Tempe home with my mother.

My great grandfather had tennis courts and a farm in Tempe which the NSW government resumed overnight that became the railway yards. Mum always told me it broke his heart.

Unfortunately it’s not possible to chat with my relatives but thank-god we have photos of them that I can look at to see if there is an insight into where I come from, what they once wore, ate, how they played, laughed and lived.

I had the luxury of having a photographer Aunty who always photographed my sisters, brother and me and we have a wonderful record of our childhood in black and white and colour on horses, in creeks, picking wildflowers and doing all those things kids do.. Thanks to Aunty Val someone down the track will know how we too lived, laughed and played.

I have morphed into this generation’s Aunty, the keeper of the record and the chronicler of where we are going. From the minute I got my hands on a camera  I have been shooting my family. The above pic was taken this summer of darling Charlotte wrapped in one my scarves (loads more to come)!

Where do you come from? And who are you shooting?

“What you need to know about the past is that no matter what has happened, it has al worked together to bring you to this very moment. And this is the moment you can choose to make everything new. Right Now” Author Unknown

signature

 

 

Check out my Portrait Lightroom Presets here.

Creating a Body of Work – Getting Started in Photography

Chantal Thomass Apartment Paris Tango Copyright Carla Coulson

This was a subject I spoke about in the Get Published workshop this summer and I thought it maybe of interest for those of you who are considering putting together a portfolio or body of work in the coming months.

For all those of you dreaming of launching a photography career there is a vital component that you need to carefully consider before you do.

So let’s say, you have done a photography course or you have assisted photographers and you are confident your skills are ready to start a career. You have chosen which type of photography you would like to pursue whether it be travel, interiors, food photography, fashion or portraiture or one of the many other specialised forms of photography. In theory you should know who you want to work with before before you even create your first portfolio/body of work.  Your future clients might be magazines, private clients or publishers, image banks or you maybe you want to seek an agent.

Without a portfolio or body of work you can’t make this step.

Le Petit Moulin Paris Tango Copyright Carla Coulson

Putting together a body of work.

The great thing about starting out is that you can decide who you want to try and work with, what type of photography you want to take and the type of images that you want to show to represent your style. It is a great chance to do the work you love.

Lets’s look at building a portfolio/body of work for an interior/lifestyle photographer.

Most photographers have their own particular vision and taste. So if you have chosen to be an interiors/lifestyle photographer you might only love hippy chic style, or minimilist or classic French or lived-in artistic!

Lets say you love hippy chic and lived-in artistic and minimalist style leaves you cold.

Who is your future client?

Probably not Belle Magazine but it could be Inside Out (Australian mags). Ask yourself where does your style sit? Know the answer before you starting taking photos for your portfolio.

French Essence Copyright Carla Coulson

Start by asking everyone you know if they know someone with the kind of house you are interested in photographing. Show them images of other homes that you love. You might find a small apartment, a cool beach shack or an artist’s home. Ask the owners permission to photograph their home and explain if you would like to eventually have it published. Often this is a great opportunity for publicity for the owners business or art.

You need to create a story with your images. Tell the story of house and someone’s style. Look at the magazine you would like to work with and analyse the images that make up the story. You will probably find that over an eight page story that the following types of images are included.

1. Shoot all the rooms in the house if possible. Some wide shots and others medium crops.

2. Connecting spaces – So that people interested in that kind of a home can understand how it works.

3. Details – Interesting vignettes that give an insight into the style of the home owner.

4. Focus on corners of the room that are interesting, architectural details like fireplaces and cool doors.

5. Colour Palettes – A lot of homes have a similar colour palette, see if the house you are photographing does. This can assist with layout.

6. Portrait of the home owner/dogs/kids

7. Outside spaces

 

French Essence Copyright Carla Coulson

Photograph the house the way you see it and the things you love about the home owners style. Shooting a house can take an entire day so take your time and don’t leave without having all the images that you love. You should end up with between 30-50 finals images and make sure you have a variety of crops, horizontals and vertical images.

This should give you a story that you can use as a part of your body of work or you can pitch to your eventual client. Maybe you want to shoot houses for architects?

Repeat the above process with other homes, highlighting your style. Each home you photograph can be part of your portfolio. Build up 3/4 houses before you decide to contact your first client. You can also include smaller shoots if you can’t find entire homes. Cool offices, working spaces, artist studios and lovely vignettes of still lifes. Try and have variety in your images so that the client realises you have shot more than one home.

Make sure you are 100 percent happy with the images before starting. If you aren’t happy don’t worry, keep practising till you have the body of work that you are proud of.

“Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will.” George Bernard Shaw

 

 

Check out my Portrait Lightroom Presets here.