All photos Chateau Gudanes Copyright Carla Coulson
A while back I was asked by Harper’s Bazaar to shoot the beautiful Chateau Gudanes and the Water’s family, the wonderful family that fell in love with this place and have taken on the massive job of renovating it.
While it’s awfully exciting to be asked to shoot a Chateau (I blogged about it here) it’s also daunting. The sheer size of this place makes it a photographic challenge in the taking and in the planning. You see we are talking about a place that has 70 rooms and is perched on an exquisite piece of land surrounded by mountains.
I thought it would be fun today to give you some inside tips on how I shot it.
1. Scout It
I Shot the exterior and interior in one day but I was never going to be able to shoot everything. I had the luxury of seeing the Chateau months earlier which made me realise I would need to rent special long lenses to be able to shoot it from up on the mountain. I made a list of my favourite things and started with number 1!
2. Hero Shot
Ok, so on a place like this there are probably only going to be a couple of hero shots (the one the magazine will use to open the story). I felt it would be a shot of the Chateau or the gates because both of them a breathtaking. So I shot the Chateau from as many angles as possible. I was up at sunrise and it was a day that changed every five minutes so I was lucky to catch fog, sunshine and rain in a space of an hour.
So I am like a dog with a hamshank! I am not walking away from a shoot without the shot so I will shoot from as many angles as I can to make sure I have what the magazine needs. These are just half a dozen of maybe 16 options I handed in of the Chateau and the gates giving horizontal and vertical options.
The gates were such an amazing subject to shoot..
3. Get Up High Or Shoot It In It’s Context
So we all want to know where is this Chateau and what’s around it! The only way to do this is to go for a drive and see what you can find. Fortunately I had the lovely Karina Waters as a guide who knows this little baby’s best angles and she kindly showed me her favourite spots.
4. Shooting Interiors
I am super excited by interiors like this, I love the patina, the architecture and the light. There is only one difficulty the proportions are huge so you really need to be careful from where you shoot or you end up with very distorted lines. I shot all the interiors on a tripod on approx 400 ISO..
In the case of the staircase I centred myself between the staircase and the door on the right and put my tripod up as high as it would go and then stood on a little stool.
As you can see I loved the staircase and didn’t want to miss a shot of this beautiful balustrade. I rarely use a wide angle lens but this is one case where it was the only way to get the whole perspective. When using a wide angle lens on architecture I often find it is better when you are on top of the subject as opposed to being far away. When you are far away it looks distorted.
To shoot this pic I paid careful attention the lines and distortion. I had my tripod as high as it would go and used a ladder to shoot from so that I was as close as possible to the middle of the distance from floor to ceiling. The closer I am to the floor with a height like this the more the vertical lines will be distorted..
I adored how Karina had little still lifes happening in many of the rooms, I wandered around the rooms looking at them from all angles taking hand held snaps till I liked something I saw and then I would set up my tripod.
As I was conscious of shooting a whole series of portraits the following day, I wanted to be careful that I had many different angles and wasn’t presenting the same room over and over again shot from the same perspective for the interior shots and the portraits.
I love playing with lines and shapes when shooting interiors and this one was fun but a challenge. I had recently bought a super tripod with a central column that lies horizontally (I could have got a pair of Louboutins for the same price) but this is where it out performs any other tripod. I set the camera up with the lens pointing straight up through the stairwell and I crawled under my camera to check focus, composition and exposure.
This too was shot from a ladder and I centred myself in the middle of the shot.
I shot as many details as I could of the architecture. Detail shots give you a sense of intimacy and are great combination for an art director to work with with general interiors (of course we managed to squeeze a cat into our pic – thanks Karina).
6. Exterior Landscapes and Grounds
We are almost done! I shot scenes from the Chateau windows down onto the village below, shot from the front of the house looking back towards the mountains, in the park and played with the light.
Unfortunately I can’t show you all the shots as my blog will blow up but I hope this helps and gives you an idea of what a wonderful place Chateau Gudanes is and if you ever stumble across a Chateau to shoot these tips might help.
Check out the fabulous Chateau Gudanes cause it’s marvellous.. A huge thank-you to the Walter’s family and the lovely Karina for making this shoot a dream. You can find them on Instagram and Facebook.
You can see the Harper’s Bazaar final shoot here.
“For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I’m not sure where I’m going. If I knew where I was going I wouldn’t do it.” Architect Frank Gehry
PS: Love you to share.. xx